A strange moment, as the person controlling both, but a story point that felt specific to me and my campaign. The archer begrudgingly signed up for cult membership, and the characters liked each other less. My rogue suggested that this might be a way to get access to the wizard's knowledge and resources and won the subsequent argument. When my archer was invited to join a creepy female-only cult by an imprisoned wizard, she refused.

When your characters disagree-or when you fall out with your partner in online co-op-you pick who wins the argument by playing rock-paper-scissors against yourself. Your choices affect certain plot points and sometimes provide stat boosts, but are otherwise there to encourage you to roleplay. This establishes the relationship between the two, which can be hostile or cooperative, even romantic. You can choose any arrangement of gender and class that you wish, and during key dialogues you pick separate speech options for each character. I keep saying 'characters', and that's because Divinity: Original Sin doesn't have a single protagonist-it has two, and you create both of them when you begin the game. It's a liberating feeling, even when its implementation is this simple. The problem and its solution are presented to you without the hand-holding you might be used to. If you happen to have water magic to hand you can summon a raincloud to douse the flames, earning you a healthy experience boost and increasing your reputation in the town. This is a quest, but nobody tells you what to do. Choose to investigate and you'll see a group of dockworkers crowded around a burning barque, struggling to contain the blaze. Very early in the game your party reaches the city of Cyseal. It's about the freedom you're given to chart your own course through the campaign, freedom enhanced-and sometimes swiftly curtailed, as per my blood-lightning accident-by a sprawling set of readable, consistently-implemented rules. That this is a throwback to Baldur's Gate and Ultima means more than the isometric camera, the fiddly menus, the sharp difficulty curve. When you explore Larian's crowdfunded old-school RPG you're exploring a network of interesting, intricate creative decisions that comment on the genre's past and sketch out a new map for its future. It's one of those 'well, shit' moments that tell you everything you need to know about a game's designers.

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